Devant les immortels monolithes, la réflection de l'être résonne comme de nombreux carrillons.
Tellement neutres qu'ils évoquent l'angoisse, une transe. L'absence de discernement se rends apparent, la teinture absconse se montre énormément tumultueuse.
<<Le rythme turbulent, perpétuel des cieux m'enveloppe d'une fine couche de mercure.>>
supported by 13 fans who also own “...Et les piliers de moi même m'érode”
MY DEATH BELONGS TO YOU spread a dense funeral doom atmosphere. Sure, the epic songs are not catchy in the common sense, instead they swing between slow and heavy parts and quiet ambient passages what makes them rather dynamic. For fans of the genre who enjoy the atmospheric style a must have! H.L.
supported by 13 fans who also own “...Et les piliers de moi même m'érode”
Powerful, plaintive expression of the fathomless sorrow of our suffering cetaceans and their depthless home, together with the indescribable loveliness of their distant blue-black realm. I feel as much interstellar space here as I do deep ocean, equally crushing and buoying. Dave Aftandilian
Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic. Bandcamp New & Notable Jan 5, 2022
Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi. Bandcamp New & Notable Jan 5, 2016
supported by 13 fans who also own “...Et les piliers de moi même m'érode”
The reason is summarized in the reason why I love extreme doom: it's a matter of focus, intentions that never get diverted from one nature: the appeal for doom, and all emotions, visions, states of being the term implies.. It's a one-colour core that makes the whole. The limits of Arche's music embraces all doom is about; how can I not be very pleased with that? Bertrand Marchal